Thursday, 6 September 2018
Double Feature: Suburbicon + Jasper Jones
Subrubicon is a Hollywood production with some big Hollywood names to match. It is directed by George Clooney and it stars Matt Damon and Julianne Moore. In contrast, Jasper Jones appears to be a small Australian production that I never heard of until it was featured on iTunes; it does feature Toni Collette in a supporting role and one Hugo Weaving in a more of a cameo role. Both deliver the goods, performance wise.
Both movies take place in an era when racism was out in the open and commonly accepted. Suburbicon takes place at a fictional all American suburb during what appears to be the fifties; Jasper Jones takes place at a middle of nowhere, WA (that’s Western Australia for you) town during the sixties. Suburbicon tells the story of what happens to our fictional all American suburb when a black family dares to settle in; Jasper Jones tells the story of the marginalisation of those at the edge of society, including the aboriginal Jasper Jones (who is actually only a minor character in the scheme of things) when a teenager disappears. Us viewers are told right from the start that she died; it's how the people in the movie react that builds this movie.
Clearly, both movies were designed as retaliation to social trends affecting both contemporary USA and Australia. I am referring to that loss of inhibition around the way we deal with race, and I’d say both films do a good job in the message delivery department.
Differences wise, it is the style of the two movies that sets them apart. On one side,Jasper Jones is a pretty conventional, albeit quite well made, piece of story telling. On the other, Suburbicon tries to make a name for itself with almost caricature like characters, and gimmicks such as Moore playing two characters at the same time + Damon pedalling a kids’ trike in a scene that would normally feature a getaway car in any other film.
The Vietnamese friend of Jasper Jones’ hero character steps up as the last batter in a cricket game. None of his teammates want that Vietnamese scum there, and he only managed to get into the lineup as a result of others’ mischief. The dominantly white crowd leaves in disgust.
That is, until the hero of the moment bats his way to a team win. The crowd comes back and cheers him passionately [for the duration of the win] as he brings them victory.
That scene is so quintessential Australia it is hard for me to think of a better representation of the country.
Both are good movies, but while Suburbicon errs on the gimmicky side - style over substance - Jasper Jones oozes with genuine quality.
3 crabs for the former, 4 for the Aussie out of the standard 5.