Tuesday, 11 April 2017

Rogue One

I can argue Star Wars movie aren’t what they used to be, but why would that be any news to you? From the moment those ewoks showed up on Return of the Jedi, that careful web of magic and fantasy woven so beautifully by Star Wars and Empire Strikes Back had started shattering. One by one came the awful prequels, and last year - in an act of desperation - we got a one to one remake of Star Wars that was named The Force Awakens. Entertaining as the latter was, repeat viewing could not hide its numerous compromises; that was not the Star Wars I was looking for.
And now comes Rogue One, straying from the main story to provide us with a more gritty take on the universe from a galaxy far far away. I like the idea, especially the way it clearly indicates that the pure of heart rebels are nothing but pure; in a world where world leaders want us to think in binary terms such as “you’re either with us or against us”, it is good to point the grey out.
Yet, like everything Star Wars since Jedi, Rogue One falls into that classic trap of making a movie that is all about invoking memories of the great previous episodes without doing too much of the new. Or providing a plot that is more into the action/entertainment side than the cerebral side. The result? An hour into this two hour plus affair, we found ourselves asleep.
So yes, that says more about how exhausted we are than how bad Rogue One is, but still, this is a Star Wars movie, god damn it!
The second half is better at the entertainment department, but still… The plot is yet another tale of family intrigue. It tells us of a father forcefully recruited to design the Death Star for our beloved Empire by one Krennic (the ever so excellent Ben Mendelssohn). That reluctant father generates a compromised design, and leaves a trail of crumbs that his daughter (Felicity Jones) can follow in order to acquire the Death Star plans [so that Luke can destroy it in Star Wars].
That’s it pretty much for the plot. Other than Jones’ character, no one receives the treatment they deserve and all is too one dimensional. Every time The Force was mentioned I wanted to bang my head on the wall.
Worst scene:
In order to merge the plot with Star Wars’, Rogue One utilises digital technology to present us with the presence of the Peter Cushing, may he rest in peace, as Tarkin. Only that said technology is far from great and Tarkin looks rather grotesque.
However, as grotesque as he may look, that is nothing compared to the digital portrayal of a young Princess Leia our movie concludes with. That is outright keep you awake with nightmares material.
Overall: Star Wars is now officially a meh rated family soap opera comprised of forgettable episodes of space faring entertainment. 3 out of 5 crabs.
Let the Disney accountants rejoice!

No comments: