Tuesday, 17 January 2017
The nice thing about The Accountant is how we get to slowly gather information about our hero as the movie progresses. The not so nice is that, upon the settling of the dust, it is clear this is just another American action movie with all the illogical bullshit that tends to dominate such affairs. Predictability included.
So, yes, Affleck plays Chris, an autistic super accountant by day with the ability to push his accountancy further through the use of martial arts and/or firepower. Reluctant to delve further into the field of dealing with the dubious parts of society that usually hire his services, he asks his mysterious English accented operator for something peaceful; she gives him a challenging accounting task at a promising American technology company that seems to have stumbled upon suspected embezzlement. Our super accountant quickly figures things out, against all odds (yet in a way that makes it clear every accounting student in the world would have figured it out). In turn, this makes the baddies switch into full hostility mode, sends our reluctant hero back to his racks of guns & ammo, and proves to us viewers that one cannot cast an actor such as John Lithgow to play the CEO of that tech company and expect the role to be minor.
Action ensues; it is good, but seriously, you’ve seen it all before. At the end there are two things that stand for The Accountant: the performance of J. K. Simmons as the federal agent chasing our superhero, and the fact The Accountant is a movie that puts the case against the marginalisation of autistic people in the mainstream.
Overall: 3 out of 5 crabs.