Lowdown: A Jack Black festival.
Watching The School of Rock can be a problem if, like me, you are no big fan of Jack Black. It’s a Jack Black overdose. You wake up in the middle of the night afterwards in terror with Black’s image engraved in your mind. You need some sort of therapeutic treat to rid yourself of the Black plague.
Not that The School of Rock, originally released in 2003, is a bad film; it’s just that it is built around Black’s persona, and let’s face it: there is not much of a persona behind Black.
The film itself acknowledges this undeniable fact. Black portrays a lacklustre band’s lacklustre guitarist, totally out of touch with his band, band’s audience, and life in general. His old friend in music, now turned “conventional”, cannot cover for Black anymore, forcing Black to find a way to make a living and pay for his rent; so Black naturally impersonates his friend in order to acquire the position of a substitute teacher at this prestigious private school for kids with very rich and demanding parents.
Given that Black is as far from being a teacher as politicians are from being honest, he stirs the time available to him with his class towards the only venue he can think of: he makes his class into a rock band. Black’s starts with his rock schooling quite selfishly, as a way for him to be able to manifest his dreams; quickly enough, though, this is turned into a class wide enterprise. Black’s quest is aided by several factors: First, there the coincidence of the kids being very musically talented to begin with (albeit classically trained); second, there’s the kids’ parentally imposed repression that brings these kids into a boiling point seeking a way to let the steam loose; and third, there’s him getting a very unrealistic level of autonomy with the kids, essentially having them entirely at his disposal for entire school weeks (very credible indeed).
There are hiccups on the way, but indeed credibility is not high on The School of Rock’s agenda so these are dealt with quickly enough. Despite the threatening school headmistress, complaints about noise from other teachers, and parents getting more and more suspicious, the music keeps on playing to a very happy ending (and if you complain that I have just spoilt the film for you, please have your sanity checked).
Overall, The School of Rock is aimed primarily at kids. Otherwise you would have a hard time explaining the sheer impossibility of the film’s premises, its predictability, and its "only in Hollywood" sweeter than sweet filling/feeling. That, and it saying that what Black did is good for the kids.
Then again, it’s probably kids alone that can successfully withstand a Jack Black all film long.
Best scene: Black takes the school principle, Joan Cusack, out to a pub. Cusack the principle seems as if she never had a day of fun in her life, exposing Cusack the actress who (unlike Black) has a genuine talent for comedy.
Worst scene: While preaching the rock mantra to his flock, Black puts minor bands (say, The Ramones) alongside the big guns (say, Led Zeppelin). Come on, I know this is a film that should never be taken seriously, but why contaminate kids’ minds with such bullshit?
Overall: Me, I like my entertainment to be more life like and not that light. And I don’t like Jack Black. 2.5 out of 5 stars.